Showing posts with label Week 5. Show all posts
Showing posts with label Week 5. Show all posts

Monday, September 19, 2016

Story: Life & Death, Horror & Theft.


T is for theft.
It violates the norms,
Yet it comes in several forms.
Robbery and theft,

Reveal a life so bereft.



M is for murder.
The state of living:
Once taken, never regained.

Irreplaceable. 





The monk traipsed through the dark, foreign woods. The sound of the autumn leaves crunching beneath his boots was the only thing distracting him from the sinking pain in his chest.  He wiped a cool bead of sweat from his forehead and perched on a mossy rock.  He had been walking for what felt like an eternity, desperately trying to escape his village and the harrowing events that he witnessed merely hours ago.  He closed his eyes, but his eyelids only showed him the image of what he was trying so hard to ignore.  He saw Coral’s face - her smooth porcelain skin and her long brown eyelashes framing her twinkling blue eyes.  He savored her image for a moment, inhaling deeply in hopes to catch a whiff of her delicate perfume.  As he exhaled, a sharp gust of wind rushed past him, mimicking Coral’s soft giggle, and he winced as it stung his face.  He shut his eyes tighter and tucked his face in his arm, but the peaceful image of his wife was suddenly replaced by a replay of her last moments - drenched in sweat, quivering under pounds of blanket and wool.  Despite the freezing air, he felt the warmth of fire on his cheeks as he pictured her burning corpse. The monk slumped to the ground in sorrow. He forcefully opened his eyes to rid himself of the nightmarish scene, releasing a frigid stream down his cheeks.  He carefully stood up and continued to walk north, hoping to find a warm place to sleep.  Eventually he caught a glimpse of a dim light in the distance, and began to trek toward its source.  He approached a cabin on the outskirts of a small village and quietly peered in a window.  A small family bustled around the kitchen, preparing for dinner, so the monk decided to knock.

The forest, courtesy of Moyan Brenn on Flickr

The door cracked open and a lanky, bearded man craned his neck through the opening and peered at the monk. The monk explained that he was traveling to the monastery to become a bhikkhu after the death of his wife, and that he needed a place to sleep.  Before the man had a chance to reply, the door swung open and the man’s wife greeted the monk and ushered him into the warm house, insisting that he join them for dinner.  The monk glanced at the lamb cooking over an open flame, breathed in the aroma of freshly baked naan, and gladly accepted. 

A fire roars from within the house. Courtesy of Pixabay


The wife began serving everyone as they sat around a small kitchen table.  She filled her husband’s plate, the monk's, and lastly the plate of her son, whose young eyes were fixated on the monk.  Halfway through the meal, the boy became unsettled and began to whimper.  The boy’s whimpers soon turned into wails and his legs began to flail.  The parents tried to comfort the boy, whispering in his ear and patting his head and shoulder, but their efforts were futile; the boy continued to sob.  The mother looked over at the monk and mouthed an apology.  Before the monk could reassure her, the woman forcefully yanked the boy up by his arm and slung him into the roaring fire.  The monk watched in horror as the boy drowned in the flames.  The smell of burnt flesh filled the house, and after what felt like an eternity, the only remaining noise was the crackling of the calm flames.  The mother noticed the monk’s terror and laughed, the father slowly stood up and walked into the next room.  The monk began to tremble; he felt that his fate was sealed.  The man walked back into the kitchen holding an old ivory book.  Frozen in fear, the monk grimaced as he saw the parents of the boy walk over to his ashes. He began surveying the home for the quickest way out.  Before the monk could dart, the man and woman began chanting strange words and dancing around the boy’s remains.  Slowly, the ashes began to rise and swirl about the room.  A dark cloud filled the room, causing the monk to cough uncontrollably.. 

When the air cleared, the monk looked at awe as the little boy stood up, appearing unharmed but slightly confused.  The man and woman revealed the secrets of the ivory book, explaining that it could bring back the dead.  The monk masked his bewilderment as he listened to the couple, frequently looking back at the boy, who was now playing with a toy.  Soon it was time for bed, and the monk knew he had to flee, but he couldn’t stop thinking about the powers of the book.  When he was sure they had drifted to sleep, he quietly got up, gathered his things, and then began searching for the book.  He eventually spotted the book, grabbed it, and then quickly snuck out of the front door, eager to get back to his wife’s remains. 

The Ivory Book of the Dead. Found in the Metropolitan Museum of Art, New York City. Wikimedia Commons

As he exited the house, the monk heard a loud shriek, so he began to run.  The noise followed him, but gradually became quieter and eventually stopped as the monk got further from the house.  When he felt he was a safe enough distance away, the monk held the book to his chest and sat down.  The monk soon dozed off, but was suddenly awaked by a familiar voice.  He looked up; it was Coral.  The book started to feel warm on his chest - it continued to grow hotter.  The monk stood up, but as soon as he opened his mouth to call out for her, he burst into flames.  The monk yelled in agony.  The image of Coral disappeared as the flames consumed him.  After the monk took his last breath, the blaze dissipated; the only trace of his presence was the ivory book lying on the ground unscathed.  




Author's Note:
I pulled this story from Twenty-Two Goblins: The Three Lovers translated by Arthur Ryder.  Twenty-Two Goblins tells the story of a king who sets out to help a monk recover a body from the woods.  Here's the catch: the body is possessed by a goblin, who makes the king answer riddles in order to transport him.  If the king answers the riddle correctly, the body/goblin are transported back to where they were originally found, and the king must go back to retrieve them.  If the king does not know the answer to the riddle, he can continue to carry the body to the monk, who is also waiting somewhere in the woods.  If he king does know the answer, but lies and says he doesn't, his head will explode.  What a fun game!  My story is based off of one of the goblin's riddles, where he describes the death of a beautiful woman with three lovers.  Each man reacts to her death differently.  One man becomes a monk and travels around and encounters a family who offers him dinner and a place to stay.  The mother ends up murdering her son during dinner, but then uses a mysterious book to bring him back to life.  The monk steals the book in the middle of the night, and goes back home, where he eventually uses it to bring his dead wife back to life.  A bhikkhu is an ordained male monk in Buddhism.  

The two immoralities in my story are theft and murder.  The monk steals the magical book from the family in order to attempt to bring his wife back from the dead.  He's only made aware of this book's magical powers due to the demonstration of the woman using it to bring back her dead son that she brutally killed in front of him.  Although the boy brought back to life, this is obviously not possible in real life, hence my haiku.  The theme of an immoral alphabet comes from A Moral Alphabet by Hilaire Belloc, 1899. The letters T and M are courtesy of Maelle K on dafont.com


Reading Notes: Twenty-Two Goblins Part B

Bibliography: Twenty-Two Goblins translated by Arthur Ryder.

Part B of this story had some interesting "riddles", but the real twist was at the end of the story!  I saw something strange like this coming from the beginning... Although some of my questions in my previous post weren't completely elaborated on, I still got some much needed answers, giving me some more story ideas for this week.

The Girl and the Thief
In this story, a beautiful girl (woman) is not interested in marriage, until she encounters a ruthless thief, with whom she falls in love.  Of course, this is at the dismay of her family (and her village).  Sparing the details, the woman eventually gets her wish, the thief reforms, and they live happily ever after.... boring!  If I choose this story to write about, I will definitely give it a twist ending.  I don't know quite yet if I should make it subtle or outright, but I want the thief to remain evil.  I'm thinking he could either rob the wife's family blind and flee, leaving her heartbroken, or I could write about it from the angle that he stole the woman's heart and either hid her away or morphed her personality into something unrecognizable by her family.  There are a couple of good immorality themes I could use for my project in this story: theft and lust are the two that stand out to me the most.

That thief isn't even cute though... From The Girl and the Thief

 The Old Hermit 
This story also has a few themes that are pertinent to my portfolio, but they are less obvious, and I feel like I already covered one last week.  Anyway, for this story I could write about the life of the old hermit after he inhabits the body of the young boy.  It could be comedic, like he says strange things that older people generally say, which in turn confuses the family.  

Other story ideas I have include writing a sequel to the entire story.  This may be the hardest, but most fun, option, because I could really do whatever I want with it.  What if the king brought the goblin back to his castle?  What if the king made his daughter marry the goblin?  There are all kinds of crazy things I could do with this.  I could also simply give the story an alternate ending, where the monk suffers in another way besides death.  Perhaps the monk is subject to some sort of riddle-related punishment?

Reading Notes: Twenty-Two Goblins Part A

For week 5's reading, I chose Twenty-Two Goblins translated by Arthur Ryder.

The King and the Goblin, from the Introduction of Twenty-Two Goblins

I chose these stories because the concept of them piqued my interest.  A king must carry a goblin on his back through the woods, while answering the goblin's riddles.  Who doesn't love a good riddle?

For part A, I have a few ideas for some stories, but many questions that I'm pondering.  What does the goblin want?  If the king answers the riddle correctly, the goblin goes back to hanging on the tree, and the king must go fetch him again.  If the king knows the answers, but refuses to say, his head will explode.  The only way for the king to transport to goblin to his destination successfully is if the goblin stumps the king, and he does not know the correct answer.  So, does the goblin want to stump the king?  Why or why not?  What does the monk want to do with the goblin?  If the monk wanted to the goblin brought to him quickly, why not pick a foolish man instead of the wise king, so that he would be quickly stumped?

Some stories I have in mind for part A of the reading are incorporating more "modern" riddles into the story, instead of the original riddles, which are hardly riddles at all, but more of opinions...  I could have the goblin ask the king riddles like "what gets wetter as it dries?" and other silly, short riddles.  The only other specific story I could see myself writing about is The Three Lovers.  I'm drawn to this story because of some of the immorality present, which I could use for my project.  A monk in the story steals a sacred book, and a mother of a distraught child throws him in the fire - both examples of some pretty immoral behavior, if you ask me.  If I chose to write about that, I honestly would probably write a grossly detailed description of the scene at the house.  I'd describe the boy's cries, the smell of his flesh as he burned, and the swift hand of the monk.  I'd probably write this as a narrator, or from the perspective of the monk.